Saturday, August 22, 2009

St. Jerome








Here's my first academic drawing of Bernini's bust of St. Jerome. I would have never approached drawing like this before, it was a good exercise and it really helps you to focus on shapes and shadows.

Life-Painting

Here are some life-painting in progress shots. Still a long way to go but very enjoyable process. As you can see the beginning is a total mess but it somehow strung together eventually. I hope I'll be doing better portraits soon.

Life Drawing
















Some Life-Drawing I did at Rossnaree.
Still need to loosen up a bit more but I think I understand something new again, so great!

Sunday, August 16, 2009

Copying Courbet
























I decided I would go to a Classical Painting Course. It's based near Drogheda. The name of the school is called Rossnaree. It's situated beside Newgrange. It's beautiful out there.

The course is just brilliant. I always wondered how those Renaissance painters got such great life, composition and that dramatic lighting that you hardly see in any other paintings. You know that light just just makes you look great!
I think Courbet is one of those painters who recognized that some kind of lighting can make you look great.(this is a self-portrait of the artist btw) I discovered a photo of him on the net somewhere. He obviously used this technique to make himself look better than he truly is, I don't blame him :-)

One of the exercises in this course is to copy a painting from the great masters. The technique of painting is totally different to what I'm used to doing, I'm not sure which is better. I stood in the darkest part of the room so I hardly had light and my colours became a bit muddled at one point. So that's what my copy looks like. Next week I'll work with a life-model and I am interested to hear his critism this time. His critism on my painting was : " I like your style of painting, close by it's a wreck - far away it makes sense, Courbet would have made sure that it made sense both ways.

I'm tempted to go to the National Gallery now to set up an easel and copy a few more now, just to learn from them.

Another thing I learnt was using the limited palette. I'm still impressed by the colours you can mix with black, white, yellow and a tiny bit of red.

All the materials we used are just of great quality. Adam Markovic (the tutor) makes his own sun-thickened linseed oil which you can only buy from him. I'm lucky because that stuff is probably the best thing I've worked with so far.
The paints we used are from that brand "Old Holland" - I bought a tube of blue there the other day nearly 50 Euro - not cheap!

Right, I won't carry on anymore. I'll have more to post next week. It's all been an interesting and inspiring weekend for me - also tiring. Some days were about 11 hours long of drawing and painting.

Monday, August 3, 2009